Yagi@Tumblr

RSS

'Nach dir, Herr, verlanget mich' BWV 150 - IV. Leite mich in deiner Wahrheit
Masaaki Suzuki

polyphonyrocks:

A daily dose of Bach

frenzy-of-exultations:

Johann Sebastian Bach (1685-1750).

Nach dir, Herr, verlanget mich (For Thee, O Lord, I long), BWV 150, is an early Lutheran church cantata composed for an unknown occasion. It is unique among Bach’s cantatas in its sparse orchestration and in the independence and prominence of the chorus, which is featured in four out of seven movements. The libretto alternates between biblical verses and free poetry (a rarity among Bach’s early cantatas), the author of the poetry is unknown. 

Although the exact date is not known, this is one of Bach’s earliest surviving cantatas. Some sources say it dates from Bach’s early years in Weimar (from 1708). However, it may well be earlier. The Zwang catalogue (which lists the cantatas chronologically) dates it as the sixth of the surviving cantatas by Bach (composed 1708–1709).

Translation:  Lead me in your Truth and teach me; for you are the God, who helps me, I await you daily.

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

用途不明のカンタータ「主よ、われ汝をあおぎ望む」”Nach Dir, Herr, Verlanget Mich” BWV 150 BC,B24

第4曲合唱 「私をあなたの真理へき導き、そして教えてください」 “Leite Mich In Deiner Wahrheit”

合唱と演奏 : バッハ・コレギウム・ジャパン

指揮 : 鈴木 雅明

dailyclassicalmusic:

Your Sunday Bach Cantata for the Eighteenth Sunday after Trinitatis

Composer: Johann Sebastian Bach (1685 - 1750)

Work: Bald zur Rechten, bald zur Linken from Herr Christ, der einge Gottessohn (1724)

Performer: Dietrich Fischer-Dieskau, Münchener Bach-Orchester; conducted by Karl Richter

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

カンタータ96番「主キリスト、神の独り子」 “Herr Christ, der einge Gottessohn" BWV 96 BC,A136

第5曲 アリア 「時には右へ、時には左へ、」”Bald zur Rechten, bald zur Linken

バス : ディートリヒ・フィッシャー=ディースカウ(Dietrich Fischer-Dieskau)

演奏 :ミュンヘン・バッハ管弦楽団 (Münchener Bach-Orchester)

指揮 : カール・リヒター (Karl Richter)

Recorder Sonata in C Major HWV 365
G. F. Handel, Dan Laurin

polyphonyrocks:

Handel  -  Recorder Sonata in C Major, HWV 365

le-doux-silence-de-nos-bois:

Handel’s recorder sonatas are perhaps the most bread and butter recorder literature out there. They are musically engaging, but to the recorder player, creating a fresh interpretation can be difficult.

Dan Laurin plays with brothers Masaaki and Hidemi Suzuki on harpsichord, and ‘cello respectively. Both continuo players are renowned musicians in their own right, and in these sonatas, whose bass is often complex, the musicianship of all three players shimmers.

Laurin plays an “exact” copy made by Fred Morgan of the original Bressan recorder that Frans Bruggen used in his early recording of the Handel sonatas. The copy sounds at an unusual 404Hz lower than the original, perhaps due to the bent shape of the original. Laurin does not only imitate his predecessors: his interpretation is deliberate and his ornaments thought provoking.

Guitar Duo KM - Concerto BWV 972, I. Allegro, J.S. Bach

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

協奏曲 ニ長調 (ヴィヴァルデイのヴァイオリン協奏曲作品3の8による) BWV 972 BC,L189 第1楽章アレグロ

Katrin Klingeberg & Sebastián Montes

(出典: youtube.com)

Art of Fugue - Contrapunctus 13a
J.S. Bach

polyphonyrocks:

A daily dose of Bach

The Art of Fugue, BWV 1080 - Contrapunctus 13a

Emerson String Quartet

'Nach dir, Herr, verlanget mich' BWV 150 - IV. Leite mich in deiner Wahrheit
Masaaki Suzuki

frenzy-of-exultations:

Johann Sebastian Bach (1685-1750).

Nach dir, Herr, verlanget mich (For Thee, O Lord, I long), BWV 150, is an early Lutheran church cantata composed for an unknown occasion. It is unique among Bach’s cantatas in its sparse orchestration and in the independence and prominence of the chorus, which is featured in four out of seven movements. The libretto alternates between biblical verses and free poetry (a rarity among Bach’s early cantatas), the author of the poetry is unknown. 

Although the exact date is not known, this is one of Bach’s earliest surviving cantatas. Some sources say it dates from Bach’s early years in Weimar (from 1708). However, it may well be earlier. The Zwang catalogue (which lists the cantatas chronologically) dates it as the sixth of the surviving cantatas by Bach (composed 1708–1709).

Suite in A minor for Lute, BWV 995: 1
J.S. Bach

polyphonyrocks:

A daily dose of Bach

Suite in A minor for Lute, BWV 995: 1. Präludium - Presto 

John Williams, guitar

Cantata BWV 170, Vergnügte Ruh, beliebte Seelenlust: 3. Wie jammern mich doch die verkehrten Herzen (Aria)
Magdalena Kožžená, Reinhard Goebel, Musica Antiqua Köln

homilius:

J.S. Bach, Vergnügte Ruh, beliebte Seelenlust, BWV 170 (1726): 3. “Wie jammern mich doch die verkehrten Herzen”

Magdalena Kožená

Musica Antiqua Köln / Reinhard Goebel (2005)

Man pulling a cord, Van Loo

houghtonlib:

We recently had the opportunity to examine a manuscript of Johann Sebastian Bach under a microscope capable of capturing images. Fascinating details emerge at high magnification, revealing individual ink particles in the middle image, and the densely woven network of paper fibers visible below.

Bach, Johann Sebastian, 1685-1750. Canon a 4 voc: perpetuo. A.MS.s.; Weimar, 2 Aug 1713.

MS Eng 870 (35B)

Houghton Library, Harvard University

Kyrie
The Sixteen - Harry Christophers

mezzoahoi:

Giovanni Pierluigi da Palestrina - Missa Papae Marcelli: Kyrie

The Sixteen; Harry Christophers

Lute Suite No. 4 - 6
J.S. Bach

polyphonyrocks:

A daily dose of Bach

Lute Suite No. 4 in E Major, BWV 1006a - 6. Gigue 

John Williams, guitar

Art of Fugue - Canon alla Duodecima in Contrapunto alla Quinta
J.S. Bach

polyphonyrocks:

A daily dose of Bach

The Art of Fugue, BWV 1080 - Canon alla Duodecima in Contrapunto alla Quinta

Emerson String Quartet

eicke:

Francesco Tristano & Carl Craig - LudePre (Edit)
Based on JS Bach Prelude n. 2 in C minor BWV 847 from The Well-Tempered Clavier, Book I
Produced and edited by Francesco Tristano & Francois Baurin aka GM French
Engineered an recorded by Francois Baurin aka GM French at Studio Splendid Paris
Mixed and Arranged by Carl Craig at Planet-e communications Detroit
Released 2014 on Sony Masterworks
Buy here: http://www.amazon.com/Red-Hot-Bach-Various/dp/B00HUH1AUK
Redhot.com

J.S. Bach: Prelude in C Minor “pour le luth” BWV 999; David Tayler, arc…

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

プレリュード ハ短調 BWV 999 BC,L175

アーチリュート:デイヴィッド・テイラー(David Tayler)

(出典: youtube.com)

dailyclassicalmusic:

Your Sunday Bach Cantata for the Seventeenth Sunday after Trinitatis

Composer: Johann Sebastian Bach (1685 - 1750)

Work: Jesu, beuge doch mein Herze from Wer sich selbst erhöhet, der soll erniedriget werden (1726)

Performer: Ruud van der Meer, Concentus Musicus Wien; conducted by Nikolaus Harnoncourt